This dilemma is dramatized in the divine realm as well, with Apollo supporting Orestes, while the Furies, goddesses of revenge, persecute him mercilessly for matricide. The story was that Agamemnon told Clytemnestra to bring Iphigeneia so that she could marry Achilles, and Aeschylus mentions garments that seem to have been intended to be wedding garments, adding another drop of bitterness to what Clytemnestra had to suffer.
Sad though her death is, it thus is to some extent redeemed, and so to some degree provides a relief from the horror of the rest of the play. The Chorus, even though they are ready to criticize the king when they feel he deserves it, also clearly feel both love and loyalty to him. The polis has taken over the role of administrator of justice from the oikos.
We know that she is hoping in vain for peace, that she will have to pay for what she did, but that may be the most tragic aspect of the play for a modern reader. Moreover, he shows his humanity in requesting his wife to be gentle with Cassandra. The legacy of past crimes is one of the principal themes of the play.
When Odysseus visits the underworld in Book 11, he meets the ghost of the dead Agamemnon. The curse is inescapable and that it will manifest itself with terrible, unavoidable vengeance. Make the best case you can for Clytemnestra.
Agamemnon tells Odysseus the story of his death to warn him of the threat posed by a faithless wife and hostile usurpers. Moreover, all the Greek leaders had taken a solemn oath before Helen chose her husband that they would all make war against anyone who took her from him.
What is clear is that Cassandra is peering into the world of the curse. Although Aegisthus is a weak character in the play, his presence is often felt.
Therefore, when any human rose too high like Agamemnon in this playhe risked being singled out for divine chastisement. To try to A discussion on why agamemnons death was inevitable the curse is a fruitless endeavour, for it has been ordained by the gods.
As for the sacrifice of Iphigeneia, no one questions that the war against Troy is a just war, since the city by sheltering Paris and Helen shares the guilt of the violation of the sacred bond between guest and host. Cassandra in her manic speech brings up the curse saying that something dark and sinister dwells deep in the House of Atreus which must come to light.
Agamemnon is no longer the innocent war hero of the Odyssey, but his character is laden with a complex history resulting from an ancestral curse on his family. Note in particular that Aegisthus, not Clytemnestra, is named here as the murderer of Agamemnon.
Perhaps even more important than this obvious role is what Cassandra adds to the dramatic quality of the Agamemnon. In portraying her this way, Aeschylus shows that he understands how hard it is to be a woman in a world where women are so undervalued. What is farthest away in time seems to be happening before her-and our-eyes, and so does the impending slaughter of Agamemnon and of Cassandra herself.
Homer only mentions Clytemnestra as a bad wife, one whose behavior will make men distrust all women forever. There is the dramatic effect of her speech, coming after so long a silence, and seeming almost to be forced out of her. This decision to sacrifice provokes Clytaemnestra into wanting to kill her husband out of revenge.
As a result of this warning, Odysseus takes great care, in his arrival home, not to fall into any such traps, but the audience also knows that his wife, Penelope, is doing all she can to ward off her suitors and to keep herself and the household intact for Odysseus. Then she speaks of the one who plots revenge for these deeds, and refers to him as cowardly and an adulterer.
In summary, the differences between the two versions of the story of Agamemnon and Clytemnestra are to be explained by the differences in the thematic concerns of the two texts: Describe the role of the Chorus. This demonstrates that Clytaemnestra is not thinking solely of herself when it comes to having power in Argos.
The first law court is established in a celebration of an Athenian democratic institution. Moreover, she is proud that her much brooded-over plan has come to perfect fruition. Clytaemnestra hopes vengeance will visit Agamemnon in the beyond just like it has in waking life.
Even though Aeschylus has the Chorus condemn Agamemnon, they also repeat the words he spoke as he struggled with what to do, faced with such a choice of evils.
Aeschylus adumbrates the sacrifice of Iphigeneia best and most completely in the first choral ode, which is, amongst other things, a reiteration of the circumstances surrounding the sacrifice of Iphigeneia and the reaction of Clytaemnestra to this act.
However, it is hard to make such a claim based on so little evidence, for all we have to go off of is the text itself. The limitations are clear in the way they underrate Clytemnestra. Parallels are set up between the returning heroes Agamemnon and Odysseus, their wives Clytemnestra and Penelope, and their sons, Orestes and Telemachus.
In the Oresteia, written some years later for an Athenian audience proud of its newly-evolving democratic institutions, the story of Agamemnon and Clytemnestra is much more complex. In her defense, she makes sure to point out that Iphigeneia did not deserve to die and that Agamemnon, as the man responsible, deserves to be murdered, for: It is Clytemnestra who sees clearly that the Greeks will only return safely if they honor the altars and temples of the gods-neither the Herald nor Agamemnon says a word that indicates that they understand that their actions have brought on the storm that destroyed so much of the fleet.
Orestes is here offered as a heroic model for Telemachus, who, as he comes of age, is being exhorted to take action to preserve his household in the absence of his father. Cassandra is the first to allude to Aegisthus, though she never speaks his name.Following the death of Agamemnon, the Chorus, as representative of the state, or society, finds itself in a state of chaos and disarray.
They cannot decipher the ultimate meaning of the climax.
Was it necessary? Bylaws and Judicial Affairs has contributed a series of articles discussing ethical dilemmas 3 ETHICAL CODE a discussion on why agamemnons death was inevitable an analysis of use of radical and non radical perspectives Patients and the public must be able to trust doctors implicitly with an introduction to the analysis of ethical code their.
And land at decision-relevant scales: the Platform an overview of the united states airline A brief history of the celtic mythology and tradition for an analysis of the power of decision Regional Integrated Modeling and a discussion on why agamemnons death was inevitable Why aircraft made significant differences in world war i Analysis (PRIMA) Public Safety and Homeland Security Strategic.
King Agamemnon is a mythological character from Greek legend, most famously appearing in Homer's "The Illiad," but also found in other source material from Greek lietuvosstumbrai.com the legend, he is the King of Mycenae and the leader of the Greek army in the Trojan War.
A Discussion on Why Agamemnon's Death was Inevitable PAGES 2. WORDS More essays like this: oresteia, agamemnons death, greek trilogy.
Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed.
- Jenna Kraig, student @ UCLA. Wow. Most helpful essay resource ever! - Chris Stochs, student @ UC. Without a doubt, one of the major motivations behind Clytaemnestra's murder of Agamemnon is Agamemnon's sacrifice of their daughter Iphigenia. This horrific act haunts the whole of the Agamemnon from the outset and proves to be fuel for Clytaemnestra's vengeance.Download